Craft and Code: Materialising Data Through Textiles
Self-funded PhD students only
School of Art, Design and Performance
October and February
Applications accepted all year round
Applications are invited for a self-funded, 3 year full-time or 6 year part-time PhD studentship, to commence in October 2019 or February 2020. This practice-based PhD involves investigating the display of data through textiles, and is supervised by Royal Society of Arts Fellow, Dr Simone Gumtau, and Royal College of Art doctoral graduate in textiles Dr Elaine Igoe.
This PhD Project is ideal if you've studied textiles or other related fields of art, craft and design. Applicants with a data science background and appropriate experience in material craft or design would also be a great fit for this project.
Contemporary society generates and relies upon increasingly large amounts of data; finding new and convenient ways to store and communicate this information is a growing priority. This challenge has been picked up by designers, who are searching for meaning within these vast data sets and exploring how best to creatively communicate what they find.
The aim of this project is to go beyond graphical or pictorial depictions and find material ways of visualising data - and in the process, lead the viewer to deeper, more sensory connections and experiences with data.
Textiles provide the opportunity for a continuous, tacit and haptic conduit of data. Stitches are marks and traces which can connect, join and merge. A tailored suit records the embodied information of its recipient and how it is worn.
Practitioners such as Ele Carpenter and Nathalie Miebach have used textiles to interpret and represent data sets and complex information. Emerging technologies in textiles and material design are finding new ways to synthesise the material with the informational.
Throughout this project, you'll have access to the Faculty's facilities – including laser cutting, 3D printing and textile workshops – and a host of other cross-disciplinary facilities across the University.
In terms of project outcomes, we're particularly interested in exploring the gaps between the accurate, the evocative, the messy, the personal, the feminist and the artistic. (See Giorgia Lupi & Stefanie Posavec’s ‘Dear Data’ project).
This bursary invites an exploration of qualitative research methodologies through practice. This project will be aligned with the University of Portsmouth’s strategic research theme of ‘Future and Emerging Technologies’.
For more information about research in the Faculty of Creative and Cultural Industries visit the University's Research pages.
Funding Availability: Self-funded PhD students only. PhD full-time and part-time courses are eligible for the Government Doctoral Loan.
Home/EU/CI full-time students: £4,327 p/a*
Home/EU/CI part-time students: £2,164 p/a*
International full-time students: £13,900 p/a*
International part-time students: £6,950 p/a*
By Publication Fees 2019/2020
Members of staff: £1,610 p/a*
External candidates: £4,327 p/a*
*All fees are subject to annual increase
Home/EU/CI full-time students: £4,327 p/a**
Home/EU/CI part-time students: £2,164 p/a**
International full-time students: £14,300 p/a*
International part-time students: £7,150 p/a*
By Publication Fees 2020/2021
Members of staff: £1,680 p/a*
External candidates: £4,327 p/a**
*All fees are subject to annual increase
**This is the 2019/20 UK Research and Innovation (UKRI) maximum studentship fee; this fee will increase to the 2020/21 UKRI maximum studentship fee when UKRI announces this rate in Spring 2020.
A minimum of a second-class honours degree or equivalent in a relevant subject or a master’s degree in an appropriate subject.
Exceptionally, equivalent professional experience and/or qualifications will be considered. An online portfolio submission may be required as part of the selection process. All applicants are subject to interview.
English language proficiency at a minimum of IELTS band 6.5 with no component score below 6.0.
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How to apply
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Interview date: TBC