Musical theatre research
Explore our research in musical theatre, one of our four areas of expertise in Performance, Theatre and Music
Our musical theatre research helps demonstrate that even popular forms of so-called ‘light’ entertainment can engage in difficult societal conversations around race, religion, gender, sexuality, politics, class and the idea of community and society at large.
We engage with any form that articulates music with theatre but, most often, we focus on the musicals produced on Broadway and in London's West End. Our research is not limited to analysing shows, but also looks at historical, social, economic and educational contexts underpinning and stemming from them.
We also consider performance practices and technical concerns, which link to a multi-million pound industry. We find new ways to illuminate how musical theatre works to suggest how it can remain meaningful for audiences, performers and industries.
The University is the founding home of the Studies in Musical Theatre journal – which is still edited here – and the Journal of Interdisciplinary Voice Studies. We also regularly host British Musical Theatre Research Institute meetings.
Our research covers the following topics
- British musical theatre
- Musical theatre in a global context
- The business of musical theatre
- Musical theatre audiences
- Musical theatre and voice
- Musical theatre and race
Methods and facilities
We use a range of research methods stemming from humanities models, including historical and contextual research, sociological approaches and economic understanding. Practice-led research is also becoming increasingly relevant within the discipline, and features in some of our research work in this area.
Our staff have expertise in performance, performance history and popular culture, and the links we have between practice, industry and research, come from more than 15 years of featuring musical theatre in our undergraduate curriculum. We're accommodated in the specialist White Swan Building rehearsal and performance studios, which often play a role in our research.
Partnerships and funders
Partnerships include the Victoria and Albert Museum, to access their extensive musical theatre collections, and we are members of Musical Theatre Network — the national network for new musical theatre. We also regularly work with creative from this network in our curriculum. Recent funders of our work include the American Embassy.
Recent publication highlights include
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Yeomen of the Guard (Colin Jagger’s critical edition)
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Cultural Identity in British Musical Theatre 1890-1939: Knowing One’s Place (2018, Palgrave)
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Work with deaf theatre makers in Cardiff
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Studies in Musical Theatre
Founded in Portsmouth in 2007, and continues to be edited here.
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Journal of Interdisciplinary Voice Studies
Founded in Portsmouth in 2014, and continues to be edited here.
Discover our areas of expertise
Musical theatre is one of our four areas of expertise in Performance, Theatre and Music research – explore the other areas below.
Applied Theatre
Our research in this area explores how theatre and performance can be used in an educational, community or therapeutic context.

Music: Composition, Practices and Technology
We're investigating music and sound and creating new tools to enhance performance and creativity.
Performance Practices
We're discovering answers to political and philosophical problems, by investigating performance and its practices.
Interested in a PhD in Theatre, Music and Performance?
Browse our postgraduate research degrees – including PhDs and MPhils – at our Theatre, Music & Performance postgraduate research degrees page.