Film Production Showcase 2020

[‘Graduate Show 2020’]

[‘Tom Furzeman Graduate Producer’]

 Woman in floral dress: [Inaudible] You don’t know…

Man in black suit: Stay there.

Woman in floral dress: [Inaudible]

Man in black suit: Sit down—Stay there! Stay there!

['Those Last Moments'
'Role: Producer/Line Producer'
'Producer: Thomas Furzeman/Jasmine Broomfield'
'Director: Matt Alexander'
'DOP: Luke Munt']

Soldier with hat: To your family. Son or daughter?

Wounded soldier: A son.

Soldier with hat: Son.

Man in black suit: Peter! Son!

['Sedimentary'
'Role: Producer';
'Producer: Thomas Furzeman'
'Director: Matt Alexander'
'DOP: Luke Munt']

Man with grey hair: [Inaudible] Hanging up on a tree.

Man with glasses: Oh, yeah? How'd you get it stuck up there, then?

Man with grey hair: [Laughs] [Inaudible]

Man with glasses: [Inaudible] Yeah, up there was.

Man with grey hair: [Inaudible]

Man with glasses: Oh, yeah. You really like losing your light, don’t you?

[‘Burton Hockey Club Promo’ 
‘Role: Producer/Editor’ 
‘Producer: Thomas Furzeman’ 
‘Director: Sam Speake’ 
‘DOP: Jack Curtis’]

[Two teams playing a hockey match]

[‘Skegness Aquarium Promo’ 
‘Role: Videographer’]

[Various shots of aquatic life at an aquarium]

[‘Big Band Documentary’ 
‘Role: Producer/Editor’ 
‘Producer: Thomas Furzeman’ 
‘Director: Charlotte Smith’ 
‘DOP: Joshua Hurst’]

[‘Deadweight’ 
‘Role: Line Producer’ 
‘Producer: Chris Bennett’ 
‘Director: Reece Armstrong’ 
‘DOP: Joshua Ward’]

[A rotating shot of a woman looking worried]

[A shot of a man climbing up some rocks and onto a beach]

[‘Visit my website www.tomfurzeman.co.uk’]

[‘Or contact me via email: info@tomfurzeman.co.uk’]

[‘Or tel: +44 7482 912 560’]

[‘Tom Furzeman Graduate Producer’]

[‘Graduate Show 2020’]

[‘Before Sunrise (2020)
Editor (DaVinci Resolve), Director’]

[‘Nana’s Cottage (2019)
Editor (Avid Media Composer), Director of Photography’]

Woman with long hair: This is a good one.

Sick woman: Is it the one with the stray dog and the lying princess?

Woman with long hair: Not tonight. I found a better one.

[‘Before Sunrise (2020)
Editor (DaVinci Resolve)’]

Woman in black top: The idea of loving someone and being loved means so much to me.

Man in leather jacket: Are you crazy?

Woman in red top: Probably.

[‘Indigo (2020)
Editor (DaVinci Resolve)’]

[‘Seconds Out (2018)
Assistant Editor (Adobe Premiere Pro)’]

Voiceover 1: You seem quiet.

Voiceover 2: Just thinking, you know.

Voiceover 1: How are you feeling right now?

Voiceover 2: I don't know.

Woman in chequered top: Oh, I see what you're doing. How incredibly deep you are.

Sick woman: [Coughs]

Therapist: I realised you had a son.

Man in polo: What's that got to do with this?

Man in suit and pink shirt: Beautiful.

[‘Spanish Pigeon (2019)
Assistant Editor, Assembly Editor (Adobe Premiere Pro)’]

[Waitress approaches table and falls to the floor with a yelp]

Waitress: Oh God, I'm so, so sorry.

Man in suit and pink shirt: Christ's sake, don't you ever look where you're going?

Woman with long hair: Time's running.

Waitress: No, please, please—

Man in suit and pink shirt: Get out!

Waitress: [Inaudible]

Man in suit and pink shirt: Get out!

[‘Nosebleed (2019)
Assistant Editor (DaVinci Resolve)’]

[‘Overboard (2019)
Assistant Editor (DaVinci Resolve)’]

Woman in red top: I'm just afraid he's scared of me.

Man in leather jacket: I'm sure he's not scared of you. I'm sure he's crazy about you.

Woman in red top: Really?

[‘Stefani Kopchaliyska
Film & Video Editor
hello@stefanikopchaliyska.co.uk
+44 7549 853 716
stefanikopchaliyska.co.uk
Song by Luminar – Between Love and Cries
(source Artlist.io)’]

['Graduate Show 2020']

['Ollie Eales']

Solemn piano music plays over a montage of short film clips. 

A woman with auburn hair stumbles backwards. 

A man agitatedly locks a door, looks ahead pensively, then an out-of-focus figure behind him strikes him with an object. 

A young female ties a blindfold on herself. 

A young male in a Ghostbusters jumpsuit mutters inaudibly into a walkie-talkie. 

A young female looks ahead with sadness.

A soldier with a hat pulls a wounded comrade backwards, and they both stumble backwards. The soldier talks inaudibly to comrade.

A woman anxiously tries to restrain a man in a fight, then the man shoves her into an armchair and rebukes her before storming out of the room.

A married couple link hands and embrace.

A distraught woman closes a hatch and looks up, with blemishes on her face.

The back of a man with a fire texture projected onto his back.

['London 
Pro extra terrestrial demonstration turn violent 
Live 22:04
Breaking news - UFE forces engage local militia near big research facility on Titan. The threat was swiftly neutralized thro...']

The back of a man with a fire texture projected onto his back.

Human bodies in black plastic and tape, suspended upside down.

['www.ollieealesfilm.com
+44 07964734207']

['Music 
Title: The song of spring 
www.hooksounds.com']

[‘Graduate Show 2020’]

Wounded soldier: Ugh, what is that? Argh, argh, argh.

[‘MAJO Media Productions’]

[‘Matt Alexander Showreel
Director | Writer | Editor | Videographer’]

[‘Happy Child
Writer / Director / Editor’]

Man with long hair and beard: There’s something I’ve been meaning to ask you.

[‘Back to the Start
Editor / Camera Operator’]

A man staggering down a street, cradling a bloody wound on the right of his body.

[‘Those Last Moments Crowdfunding Promo
Writer/Director’]

Voiceover: Go, go, go!

[‘Nightcrawler Missing Scene
1^st Assistant Camera’]

Man in jacket: Now get out of my car.

Man in hoodie: I’m staying.

[‘Those Last Moments (Short)
Writer / Director’]

Groom: You said don’t take it.

Groom: Oh, shit!

[‘Sedimentary (Short)
Writer / Director / Editor / Sound Design’]

A man walks through a field with fishing gear. A man sits down by a river bank with his companion.

[‘Client Wedding Video
Videographer’]

A bride in a white wedding gown and groom in grey suit sit at a church. The couple stands in front of the vicar. Congregation sings from programmes. The couple stares ahead.

[‘Client Promotional Video
Videographer’]

The back of a viz jacket with ‘VI London’ printed on it. A man in hard hat and viz jacket painting a ceiling. A man in viz jacket and T-shirt treating a wall with a brush. A renovated office hallway.

[‘Client Conference Highlights Video
Videographer’]

A band plays live on stage. The crowd dance. Another band plays on a stage with a Christmas tree and decorations on the scene. The crowd dance, with some individuals wearing Christmas-related headgear. Torches wave in the air. Shiny confetti falls on crowd.

[‘Make it!’]

[‘Hot Wheels Commercial
Videographer’]

[‘Bladez Toyz’]

Two girls open a board game box. Girl in dungarees smiles and holds up a card.

[‘Tough snap-fit plastic’]

Girl with blond hair leans towards girl in dungarees, holding a toy car. The two girls work together on the toy cars. Boy and girl play with coloured markers with other children playing behind them. Girl with blond hair watches a toy car ramp off a paper ramp.

[‘Double pull back power!’]

A hand pulls back on toy car and releases it. Toy car speeds up towards a paper ramp and ramps off it. Girl with blond hair pulls on toy car and releases it towards a ramp to ramp off.

[‘Those Last Moments (Short)
Writer / Director’]

A man with stubble watches a couple embracing ahead of him. He looks shocked, then lowers his head and looks downwards. A man with short, faded hair cries and frantically looks around him.

[‘Happy Child
Writer / Director / Editor’]

Man with glasses: So what if that short spell of happiness was your whole life? Now that, that's some laugh.

Man with long hair and beard: Yeah, I guess that's right.

[‘Those Last Moments (Short)
Writer / Director’]

A couple link hands and embrace each other.

[‘MAJO Media Productions
Corperate [sic] | Weddings | Events | Shorts | Feature
www.majomediaproductions.com
contact@majomediaproductions.com
Music by Silent Natives’]

['Graduate Show 2020']

['Jonny Smart 
Filmmaker 
Camera Operator 
Digital Content Creator']

['"The media's the most powerful entity on Earth"
Malcolm X 
Let's use it...']

An insignia with text: '19th Annual Business Awards'.

['Giant Leap 
Video & Photography']

['Business Excellence Awards [Giant Leap] - Assistant Camera Op']

A man in suit and bow tie at lectern, gesturing to crowd. A group of men in the audience rise from their seats, punching the air in celebration. Two men in suits and bow ties walk to the stage. A man in dinner attire shakes another man's hand. A man with glasses in dinner jacket lifts up his arms. Three women behind him move closer to each other.

['Cristian-Ionut Necula 
BA (Hons) Film Production']

['UOP Student Interviews (Cristian-Ionut Necula) - Director / Camera Op / Editor']

Cristian N: So I just learned on my own from the internet, [inaudible] like YouTube tutorials and different blogs, so that's why I wanted to come to university: to get formal education in filmmaking.

[UOP Student Interviews (Cristian Munteanu) - Director / Camera Op / Editor]

Cristian M: Portsmouth is a great city. It has a lot of opportunities to offer, the university's great. I literally enjoy every minute here at the university.

['Graduate Show 2019 - Camera Op / Editor']

Various clips of people navigating Eldon Building at an exhibition. Close-ups of a face sculpture and two photographic triptychs. People in Eldon Foyer sit/stand and watch a drumming band playing in the courtyard beyond. Close shot of drumming band dancing and beating drum with conductor. Dolly track of 3D modelling pieces. Visitors navigate an illustration exhibition.

['Fractured (Short Film) - Director / Camera Op']

Female voice: What did you do?

Male voice: We... 

A colour isolation scene of a young female with a teddy bear walking into a room. A hand points a gun to the camera. The young female lies on the floor, lifeless.

Male voice: ... We killed her.

['Boathouse 4 Architecture in 60 seconds']

Exterior of Portsmouth Historic Dockyard.

['Built in 1939']

['Boathouse 4 (Island City Stories) - Director of Photography']

A family of three exits a building with 'Boathouse & Heritage Skills Training Centre' displayed atop the open doors.

['Designed for the maintenance and fitting out of small boats up to 40 tons']

['Battered with WW2 bullet holes']

A storage space for restored boats. A shot of ceiling rafters.

['Jonny Smart 
jonnysmart.co.uk 
contact@jonnysmart.co.uk 
07502372256
Music: Epically by Musickidsound']

['Graduate Show 2020']

['Candlin Film 
2018-2020 reel
Joe Candlin
joe@candlinfilm.co.uk 
07880353947']

['Joe Candlin 
Showreel 2020']

Rapid clips of a person cycling.

['Director of Photography']

A man carrying a woman and twirling her around on a cliff.

['Editor']

A man in a car talking inaudibly.

['Director 
Writer 
Grader 
Producer']

A young female inspects flowers in a bottle suspended from a tree by rope.

['Filmmmaker']

[''Nightcrawler' Bonus 
Producer']

A man in a car talking with no sound.

[''Forget Me Not' (2020) 
Director of Photography']

An external shot of a woman talking (without sound) while washing up. A man approaches her from the side and embraces her, talking (without sound).

[''Restaurant 27: A Family' (2019) 
Camera Operator/AD']

A man looks ahead, pensively. Two men cycling in the cycle path of a main road.

[''Island City Stories: Deniz Beck' (2018) 
Director']

Various shots of architectural plans and concepts on a table.

[''Nefelibata' (2019) 
Director of Photography']

A young male rises into view and looks ahead searchingly.

Woman: I think you smoke too much. [Inaudible] Try and catch me.

Male voice: And with locally sourced ingredients, some foraged ingredients; I'm very seasonal. It's all about pleasing customers. Money is a by-product. Reputation is a by-product. We're actually here to please customers.

Man in suit: Get out of my car.

Man in hoodie: What?

Man in suit: I said, 'get out of my car'.

Two men cycling by the sea. Close-ups of their pedals, gears, and spokes.

Couple lie on a beach, talking or singing without sound.

A campfire burns.

Parsnips and greens roast in a pan.

A woman sits by a window, nodding, turns to a man to talk to him (without sound), then looks straight ahead.

Extreme close-up of a young male's eyes looking up. A profile shot of the young male's face.

A man in a suit speaks to another man without sound, looking angry.

A hand squeezes a funnel to pipe out a mousse-like dollop into a small bowl.

A photo of a child with an arm round a baby.

A young male spins a suspended bottle.

Female chef works at a table. Waiter holds two plates of food. Male chef slices food with a cleaver.

A man sits at the steering wheel in a car, eyes closed. He opens them and looks into the rearview mirror.

A vertical pan of tree leaves. Dissolve into a vertical pan from a young male's afro hair to his eyes looking upwards.

A couple lie on a beach, looking up. The man looks down at the woman on his lap, and they both smile at each other.

A chef speaks to a man in a suit beside him.

An embracing couple kiss.

A man gets up from his seat.

A young female with a red bow in hair looks around.

Depth of field shift over a food bowl sketch featuring basil and tomato. Chef draws on the sketch then speaks with no sound.

A man in a hoodie mouths wordlessly.

A vertical pan of a couple sitting on a beach, talking to each other.

['Candlin Film']